tag:blogger.com,1999:blog-27912176356591208282024-03-13T06:55:55.530-07:00Hortus Floridus di Aurora Tazza Approfondimenti intorno alla Pittura Botanica e alla MiniaturaAurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.comBlogger108125tag:blogger.com,1999:blog-2791217635659120828.post-21047272769996427192022-11-25T03:48:00.013-08:002022-11-25T06:43:26.729-08:00Immagini dalle lezioni di pittura dell’Olivo.<p></p><div class="separator" style="clear: both; text-align: left;"><br /></div><div class="separator" style="clear: both; text-align: left;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHgcRRAto_FPHUG7wjo5CPC2dVw9jQdEsJzM_W_R2Flcu9_qEgfK9Rhe7sNXzGct8roC2qFobGUGEsa6N7fxf4s7Qy4V6FeKubdcs7QPbz3QCy4oP4yeydcunJup8Y9uWLkzor2QSolxeLeGAUX2xvA_QatwHT6gX8k3sfmhukgKEaVfA1HPRkExF-Tg/s1080/3F1BFD1B-00B2-4543-AE95-CDBADDC2F798.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="721" data-original-width="1080" height="214" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHgcRRAto_FPHUG7wjo5CPC2dVw9jQdEsJzM_W_R2Flcu9_qEgfK9Rhe7sNXzGct8roC2qFobGUGEsa6N7fxf4s7Qy4V6FeKubdcs7QPbz3QCy4oP4yeydcunJup8Y9uWLkzor2QSolxeLeGAUX2xvA_QatwHT6gX8k3sfmhukgKEaVfA1HPRkExF-Tg/s320/3F1BFD1B-00B2-4543-AE95-CDBADDC2F798.jpeg" width="320" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"></div></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-large;">LaborArt, Monastero di S. Cecilia in Urbe, 12 e 19 novembre 2022. </span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-large;">Alcuni scatti che documentano il lavoro svolto durante le due lezioni dedicate al disegno e alla pittura botanica dell’<i>Olea europaea</i> L.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-large;"><br /></span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-large;">In aula, grande interesse e partecipazione per questo soggetto dalla storia antichissima e dai profondi significati simbolici. Difficile immaginare una pianta altrettanto dotata di semplicità e al contempo di bellezza ed austera eleganza.</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: large;">AuT</span></div><div class="separator" style="clear: both; text-align: left;"><span style="font-size: x-large;"><br /></span></div><div class="separator" style="clear: both; text-align: left;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDJSn4z7phChZ5zGmHQAbL0W3dWt-2iDhECCofyUoxNHgGNqqS3CipA5N0h2EqI6ibGgJ65HRyBrv_soSfDHp6aSvDfh1MawAZgn5hehWr5ww65UDYHNgmenooXinrhVeLMPeHXs9cwB9vgADGbhLKPi7Jms7BdDKnMMP1scXGsxpOs1EakvHOt-DtnA/s1049/F3040112-A8E4-46CD-8A88-0CA6062D430A.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1049" data-original-width="750" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhDJSn4z7phChZ5zGmHQAbL0W3dWt-2iDhECCofyUoxNHgGNqqS3CipA5N0h2EqI6ibGgJ65HRyBrv_soSfDHp6aSvDfh1MawAZgn5hehWr5ww65UDYHNgmenooXinrhVeLMPeHXs9cwB9vgADGbhLKPi7Jms7BdDKnMMP1scXGsxpOs1EakvHOt-DtnA/s320/F3040112-A8E4-46CD-8A88-0CA6062D430A.jpeg" width="229" /></a></div></div><div class="separator" style="clear: both; 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margin-right: 1em; text-align: center;"><br /></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><br /></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">Bella d’olivo rigogliosa pianta</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">Sorgea nel mio cortile i rami larga,</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">E grossa molto, di colonna in guisa.</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">Io di commesse pietre ad essa intorno</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">Mi architettai la maritale stanza,</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">E d’un bel tetto la coversi, e salde</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: large;">Porte v’imposi. e fermamente attate.</span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: medium;"><br /></span></div><div style="margin-left: 1em; margin-right: 1em; text-align: center;"><span style="font-size: medium;">Omero - Odissea, libro XXIII, vv 233-239. Traduzione di I. Pindemonte.</span></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-60630298243822662322022-11-06T09:43:00.025-08:002022-11-07T12:57:00.146-08:00La Rosa ‘Fen Zhang Lou’ d’autunno.<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmHQa5OhzBtgnBnoosLwmhPjoOwpqas4-4eAPltokw_9RRHQnPVSwM5kQY0ERz1SEhIgBNVmKef2-gIi-thbKsNFCsXlnEz1S8o01TtmkQARkJm5D4na53V5ZYyrLBgMtMr0zHRlnLF1GqrpuABmchiwHS2pzOUEvqntyXKg8q1SXHsXDwmxx3HPyhlA/s1704/EF067E10-6858-459B-B688-F935609F1DBB.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1704" data-original-width="1180" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhmHQa5OhzBtgnBnoosLwmhPjoOwpqas4-4eAPltokw_9RRHQnPVSwM5kQY0ERz1SEhIgBNVmKef2-gIi-thbKsNFCsXlnEz1S8o01TtmkQARkJm5D4na53V5ZYyrLBgMtMr0zHRlnLF1GqrpuABmchiwHS2pzOUEvqntyXKg8q1SXHsXDwmxx3HPyhlA/w278-h400/EF067E10-6858-459B-B688-F935609F1DBB.jpeg" width="278" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Aurora Tazza, <i>Rosa</i> ‘Fen Zhang Lou’<br />d’autunno. Acquerello su carta. <br />Roma, 2016. Collezione dell’autrice.</td></tr></tbody></table><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div><div style="text-align: left;"><span style="font-size: x-large;">In autunno, tra le rose regna l’incanto struggente delle ultime fioriture. Le energie residuali tratte dal suolo e dall’ultimo sole non consentono più alle corolle di raggiungere le dimensioni primaverili, né una perfetta regolarità delle forme. Ma è proprio questa crescita al ribasso, un po’ scapigliata, a rendere le rose d’autunno davvero irresistibili.</span></div><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div><div style="text-align: center;"><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgky4FVBXKV_-tLyqbsgDPpwue0ShDhCpGJQ1B7cUU8rrl5ydhcyIMDIzuo1Ss_YMAySRRvXVVuPVk2w5Aypd2ANdbz6gUML5LLE_OdZjnovFjFOe8rAwXlB5Ewatx_bPSDN-jImgElM8G0KzJXuGxe7MHn7-vXeDr7N3pAQRgnQN3u2kNG3q4QL4WJ_w/s3092/4E6AC2F0-050C-4D30-BC87-A053417F9345.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3092" data-original-width="1781" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgky4FVBXKV_-tLyqbsgDPpwue0ShDhCpGJQ1B7cUU8rrl5ydhcyIMDIzuo1Ss_YMAySRRvXVVuPVk2w5Aypd2ANdbz6gUML5LLE_OdZjnovFjFOe8rAwXlB5Ewatx_bPSDN-jImgElM8G0KzJXuGxe7MHn7-vXeDr7N3pAQRgnQN3u2kNG3q4QL4WJ_w/w230-h400/4E6AC2F0-050C-4D30-BC87-A053417F9345.jpeg" width="230" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Aurora Tazza, sintesi cromatica<br />della <i>Rosa</i> ‘Fen Zhang Lou’ d’autunno.<br />Acquerello su carta. Roma, 2016.<br />Collezione dell’autrice.</td></tr></tbody></table></div><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div><div style="text-align: left;"><span style="font-size: x-large;">Qualche anno fa il vivaista oggi scomparso Sergio Scudu, fra le rose della sua splendida collezione me ne propose una proveniente dall’orto botanico di Pechino; la ‘Fen Zhang Lou’ mi colpì particolarmente per la sua grazia, magnificata dalla stagione autunnale. </span></div><div style="text-align: left;"><span style="font-size: x-large;">Da quell’amore a prima vista nacque l’opera che qui volentieri pubblico.</span></div><div style="text-align: left;"><span style="font-size: x-large;"><br /></span></div><div style="text-align: left;"><span style="font-size: x-large;">AuT</span></div><p></p>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-27096766880454056412022-11-02T15:54:00.019-07:002022-11-03T11:30:32.534-07:00LaborArt: L’Olivo e l’Acquerello Botanico.<p style="text-align: center;"></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXnMehjBdc0pTrSL9OGCqkTF5nRJJSUOvTLop1jjrmhJL_jinujvhyPf1mhOndgHnmEXe_IpGfLRUXDY25C4wbxHHG8eOT85YBRCxVh2zZJTglvaT1S8rAc0AGk6yT-M5gSjb889hKlFLVNs4c-49tn7cJAtQcaLUtv6M9lRI_AbzZl_FGpy9BCK2HJQ/s1049/8E1D09AB-CD58-4715-81DC-EE66E092BE01.jpeg" style="margin-left: 1em; margin-right: 1em;"><span style="font-size: x-large;"><img border="0" data-original-height="1049" data-original-width="750" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgXnMehjBdc0pTrSL9OGCqkTF5nRJJSUOvTLop1jjrmhJL_jinujvhyPf1mhOndgHnmEXe_IpGfLRUXDY25C4wbxHHG8eOT85YBRCxVh2zZJTglvaT1S8rAc0AGk6yT-M5gSjb889hKlFLVNs4c-49tn7cJAtQcaLUtv6M9lRI_AbzZl_FGpy9BCK2HJQ/w286-h400/8E1D09AB-CD58-4715-81DC-EE66E092BE01.jpeg" width="286" /></span></a></div><span style="text-align: left;"><span style="font-size: x-large;"><div style="text-align: left;"><br /></div><div style="text-align: left;">Autunno, è tempo di raccogliere le olive, ma non prima di averle disegnate e dipinte insieme con i loro eleganti rami!</div></span></span><p></p><p><span style="font-size: x-large;">I laboratori del 12 e 19 novembre 2022, presso LaborArt, saranno un’opportunità da non perdere per accostarsi con lo sguardo della scienza e dell'arte alla meravigliosa pianta dell’<i>Olea europaea</i>, imparando ad osservarla con partecipe attenzione, per poi disegnarla e dipingerla ad acquerello su carta.</span></p><p><span style="font-size: large;"><i>LaborArt, l’atelier di Disegno e Pittura Botanica del Monastero di S. Cecilia in Urbe, in piazza di S. Cecilia 22/A, all’interno del giardino dell’antica basilica dedicata alla Martire cristiana, patrona della musica.</i></span></p>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-72723945670805952902022-10-09T10:25:00.004-07:002022-10-09T10:48:23.552-07:00Autunno, tempo di melagrane: Punica granatum ad acquerello e grafite.<p><span style="font-size: x-large;">Mentre presso LaborArt sono in corso le mie lezioni di Pittura botanica dal titolo "Molteplicità nell'unità: la Vite e il Melograno", colgo l'occasione per pubblicare un ramo di <i>Punica granatum </i>da me disegnato e dipinto nell'autunno del 2018.</span></p><p style="text-align: center;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkNKnuuDKCKl4nQr7D0BfdKfaMzO8Jc_wsPZhBoHm6EHHbVx5WTiYSRy8rR0Vn4EpglyyQi3slpBu9LrNcbXAooC5KapdbOC2RD0BgBsAh9g20ui6v7W3w71BjJW7yAZDwXaBJchr3aw6GXn1AtMNRF6WGDvxB_5zo72pFZNOrRe5UdCDCJoED68dIgw/s2669/IMG_8686%20(1).jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2669" data-original-width="2002" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjkNKnuuDKCKl4nQr7D0BfdKfaMzO8Jc_wsPZhBoHm6EHHbVx5WTiYSRy8rR0Vn4EpglyyQi3slpBu9LrNcbXAooC5KapdbOC2RD0BgBsAh9g20ui6v7W3w71BjJW7yAZDwXaBJchr3aw6GXn1AtMNRF6WGDvxB_5zo72pFZNOrRe5UdCDCJoED68dIgw/w480-h640/IMG_8686%20(1).jpg" width="480" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><div><i>Punica granatum </i>L. di Aurora Tazza (part.), Roma, autunno 2018. Acquerello e grafite su carta Arches.</div></td></tr></tbody></table><p></p><p><span style="font-size: x-large;"><span>Che i bei frutti di questa pianta generosa, maturati nei giardini del Monastero di S. Cecilia in Urbe, siano di buon auspicio per le mie bravissime allieve, i gentili</span> lettori di <i>Hortus Floridus </i>e per tutti gli amanti della natura e dell'arte! </span></p><p><span style="font-size: x-large;">AuT </span></p><p style="text-align: center;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1FYSjIXHMEoy9EpvYFwkNTm2NM4c-_yyucPKTCR-d_THCDuXfSAFjOAoq_Sx9n1jk4NYYlJ4fKrfY5NHpY0kduhk_quAtwT50I450VzlNg5hkW7PrQKAXaUs4he0_D8UrWwW8ZZfERcXbA5q0QA-h0Um1GI_V71tPkq0PaZbjYdd7URYfOZFNmwCYg/s4032/IMG_8670.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiw1FYSjIXHMEoy9EpvYFwkNTm2NM4c-_yyucPKTCR-d_THCDuXfSAFjOAoq_Sx9n1jk4NYYlJ4fKrfY5NHpY0kduhk_quAtwT50I450VzlNg5hkW7PrQKAXaUs4he0_D8UrWwW8ZZfERcXbA5q0QA-h0Um1GI_V71tPkq0PaZbjYdd7URYfOZFNmwCYg/w400-h300/IMG_8670.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Il laboratorio durante una delle lezioni.</td></tr></tbody></table><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLE96GQFMxM2Ll7Wj1bnnzu90HCdoeqBtRbCkUfkYHPDvAh7tQolrazHjWVgL3R6w2R0bDTgVA2-ixBfI3J5VN-kLYlvfvHenMV65k2Jkn5vYZ-eVrMEdPdt8FJ8EO7uPhZV4rojkpsjCklaoR6-z8mZi4sYw6U-nBMsQx0z3T62ZPkahW2C31CoGZrA/s4032/IMG_8676.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="3024" data-original-width="4032" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLE96GQFMxM2Ll7Wj1bnnzu90HCdoeqBtRbCkUfkYHPDvAh7tQolrazHjWVgL3R6w2R0bDTgVA2-ixBfI3J5VN-kLYlvfvHenMV65k2Jkn5vYZ-eVrMEdPdt8FJ8EO7uPhZV4rojkpsjCklaoR6-z8mZi4sYw6U-nBMsQx0z3T62ZPkahW2C31CoGZrA/w400-h300/IMG_8676.jpg" width="400" /></a></div><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNe6UXBJihqzyL2o_IELWZXmcRIQAuwqdqWtcunercYrxEqfTsxB1kAv6-AEWrYWEDZcr99nOuuLkjD9ydre0XTrktOaAhYT-raxWh59_7yv8leWWDQYq5iKPOHLfq0QAWP4_sIaUvMB-USEVGFVKAC5Q6cjhl1qtHBoPCrKLeyRQWVsNrcvT_WWv6wQ/s3325/IMG_8677.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="2749" data-original-width="3325" height="331" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNe6UXBJihqzyL2o_IELWZXmcRIQAuwqdqWtcunercYrxEqfTsxB1kAv6-AEWrYWEDZcr99nOuuLkjD9ydre0XTrktOaAhYT-raxWh59_7yv8leWWDQYq5iKPOHLfq0QAWP4_sIaUvMB-USEVGFVKAC5Q6cjhl1qtHBoPCrKLeyRQWVsNrcvT_WWv6wQ/w400-h331/IMG_8677.jpg" width="400" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;"><br /></td></tr></tbody></table><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq04akCJs3XyeXvz_ZWYzZQmZMHJNylwFMSBk5Q2hd2MX-zSg89gsc1h4DSE456PDxIVT044NAhKbVfPNdEsMTeEuApu17hMqdFV7MAGhd_O4115c20vsAMH9hGrF04_q1WwC9LrVYgYGBnVeWnGoa5MJxk5MKad55kWaw00lTp9pFVqUZBXp5orRZVw/s1036/IMG_8653%20(2).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1036" data-original-width="722" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgq04akCJs3XyeXvz_ZWYzZQmZMHJNylwFMSBk5Q2hd2MX-zSg89gsc1h4DSE456PDxIVT044NAhKbVfPNdEsMTeEuApu17hMqdFV7MAGhd_O4115c20vsAMH9hGrF04_q1WwC9LrVYgYGBnVeWnGoa5MJxk5MKad55kWaw00lTp9pFVqUZBXp5orRZVw/w279-h400/IMG_8653%20(2).jpg" width="279" /></a></div><div style="text-align: center;"><br /></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-6048857583986726432022-10-06T01:21:00.008-07:002022-10-06T05:38:51.238-07:00"Molteplicità nell'Unità: la Vite e il Melograno", nuovi laboratori di Pittura botanica.<div style="text-align: center;"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhCb0NMMP6coNcjGLFtGKjR5kklEJ6BN90vvK3lbajLPAE_wK-f91BWgi3AKsx-KZEg014QJqw9M2MDZpT74NwAnmJQb_24TVxbR3O1L3IQ4PlysrB1P5FlJeKiaknjJQaPo1A7ziyptpGKiRJAdjyThqw_Z5Z9834Flw8TQf2Qr1cJDJ31tmlVOwZCQ/s1036/IMG_8653.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1036" data-original-width="722" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhhCb0NMMP6coNcjGLFtGKjR5kklEJ6BN90vvK3lbajLPAE_wK-f91BWgi3AKsx-KZEg014QJqw9M2MDZpT74NwAnmJQb_24TVxbR3O1L3IQ4PlysrB1P5FlJeKiaknjJQaPo1A7ziyptpGKiRJAdjyThqw_Z5Z9834Flw8TQf2Qr1cJDJ31tmlVOwZCQ/w279-h400/IMG_8653.jpg" width="279" /></a></div></div><div style="text-align: center;"><br /></div><span style="font-size: x-large;">Presso il laboratorio di Pittura botanica "LaborArt" del Monastero benedettino di S. Cecilia in Urbe è iniziata una serie di tre lezioni dedicate alla pittura di uve e melagrane, soggetti di straordinaria importanza, entrambi caratterizzati dalla molteplicità dei loro elementi costitutivi: gli acini e gli arilli.</span><div><span style="font-size: x-large;"><br /></span></div><div><span style="font-size: x-large;">Fonti perenni d'ispirazione per gli artisti, questi magnifici frutti presentano una particolare ricchezza di significati simbolici, sia presso il mondo pagano che nelle Sacre Scritture. In ambito cristiano, il frutto della Vite è simbolo eucaristico e quello del Melograno emblema della Chiesa e dei suoi martiri.</span></div><div><span style="font-size: x-large;"><br /></span></div><div><span style="font-size: x-large;">Le esercitazioni, iniziate sabato 1° ottobre 2022 con entusiasmo ed intenso coinvolgimento dei partecipanti, proseguiranno durante le mattinate dei due sabati successivi, 8 e 15 ottobre, dalle ore 10.00 alle 13.00. </span></div><div><span style="font-size: x-large;"><br /></span></div><div><span style="font-size: x-large;">Buon lavoro a tutti!</span></div><div><span style="font-size: x-large;">AuT</span></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-85793899402486350362022-07-27T08:34:00.017-07:002022-07-28T03:50:42.490-07:00Madeleine Françoise Basseporte, prima e unica donna "peintre ordinaire du roi"<div style="text-align: center;"><br /></div><span style="font-size: x-large;"><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiid_bt7hiQfGUGeA5x1R9p12OQ2GRRagimIMbMy8q_A3huEczYP9RzDBK0iNcfT3A-TG1oYei2zds44iZsn99FRD_NxRRwL1xaqOPo47GAA5Rku-mJk8e-sDbhPEto7KbtQjpN8FKtHy52Ufi9YcKbVqhsqWjBVJJhWMnyr6hY1VAdZWy7hCr9IqSM3Q/s4306/IMG_8121.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="4306" data-original-width="3348" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiid_bt7hiQfGUGeA5x1R9p12OQ2GRRagimIMbMy8q_A3huEczYP9RzDBK0iNcfT3A-TG1oYei2zds44iZsn99FRD_NxRRwL1xaqOPo47GAA5Rku-mJk8e-sDbhPEto7KbtQjpN8FKtHy52Ufi9YcKbVqhsqWjBVJJhWMnyr6hY1VAdZWy7hCr9IqSM3Q/w498-h640/IMG_8121.JPG" width="498" /></a></div><div><br /></div>Nata a Parigi il 28 aprile 1701, Madeleine era ancora una bimba quando sua madre, vedova di un commerciante di vini caduto in disgrazia, aveva notato in lei non comuni doti artistiche, tanto da porla, all'età di otto anni, sotto la guida di Paul-Ponce-Antoine Robert, detto Robert de Séry, pittore del Cardinal de Rohan. Presso l'Hotel de Soubise, residenza del porporato, la fanciulla ebbe l'opportunità di poter copiare i quadri della collezione cardinalizia, in un tempo in cui alle donne era rigidamente proibito accedere ai musei per eseguire copie delle opere esposte.</div></span><div><span style="font-size: x-large;">In quelle sale, oltre ad esercitarsi con passione nella pittura, Madeleine Françoise Basseporte scoprì i ritratti della celebre pittrice veneziana Rosalba Carriera, specialista nella tecnica del pastello. Madeleine, incantata dalla bellezza di quelle opere, iniziò dapprima a copiarle e poi a dar vita a creazioni proprie, a lei ispirate.</span></div><div><span style="font-size: x-large;">Divenuta un'abile ritrattista, a Madeleine venne affidato il ruolo di animatrice della scuola di disegno per fanciulle attivata presso quello stesso hotel, divenendone in breve tempo la direttrice.</span></div><div><span style="font-size: x-large;"><br /></span></div><div><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhayNHsiPX-a8G-7mUId67UV444ZM03fYlNEgdK0llhj7zJuSHTIMBEhPw0F8qpSKzdMpi7c4WwoIFP9RIOu3LxdbZsnJRclpFt9jfF3migpa-V28uRixvuI3Bn3Drux7X9rImy58gYgu9fGEPYq5295-JnHcDDIYnDMPoJYV8Wr2ZHotLohgROawKqRA/s650/IMG_8116.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="650" data-original-width="497" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhayNHsiPX-a8G-7mUId67UV444ZM03fYlNEgdK0llhj7zJuSHTIMBEhPw0F8qpSKzdMpi7c4WwoIFP9RIOu3LxdbZsnJRclpFt9jfF3migpa-V28uRixvuI3Bn3Drux7X9rImy58gYgu9fGEPYq5295-JnHcDDIYnDMPoJYV8Wr2ZHotLohgROawKqRA/w490-h640/IMG_8116.JPG" width="490" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">M.F. Basseporte, <i>Althea rosea</i>.</td></tr></tbody></table><div><p><span style="font-size: x-large;"><span>Le aspirazioni professionali di questa giovane artista, ricca di entusiasmo e di talento, potevano a quel punto considerarsi realizzate, invece Madeleine, forse spinta dalla necessità di procurarsi profitti maggiori per sé e sua madre, decise di voltare radicalmente pagina, volgendo i propri interessi verso una disciplina in quel momento al centro dell'interesse di artisti e scienziati: la "Pittura di piante". Si noti bene, di piante e non di fiori. </span><span>La Pittura botanica, diversamente da quella floreale, è infatti una complessa disciplina che si muove lungo il binario dell'arte e della scienza. Madeleine sceglie ambiziosamente e coraggiosamente di percorrere questo cammino faticoso e disseminato di ostacoli, sapendo di doversi confrontare inevitabilmente con i grandi miniatori naturalisti francesi del passato e del presente: Nicolas Robert, "peintre en miniatures" del re Luigi XIV e Claude Aubriet suo successore presso Luigi XV, entrambi autori delle opere costituenti la celebre collezione "Recueil des Velins" destinata alla Bibliothèque Royale.</span></span></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLTEqt-Zb-2GNXf8PsCq-pp9J7QugPyjsa3wALkLUlrm7Ot5PLXJvp7gnpGxf9xTRFZVFUQXoetc9vvW6MjvEWIx_Eq34sYzfTc_5TKrR4Qt2PtcK3dH95Mbknzk56NCJyJoQ8vo_QzAb5cQ0zovteHThSyF-AMnmpXHurLk2SwM7-rKKndpx8K3r_ag/s960/IMG_8110.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="960" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLTEqt-Zb-2GNXf8PsCq-pp9J7QugPyjsa3wALkLUlrm7Ot5PLXJvp7gnpGxf9xTRFZVFUQXoetc9vvW6MjvEWIx_Eq34sYzfTc_5TKrR4Qt2PtcK3dH95Mbknzk56NCJyJoQ8vo_QzAb5cQ0zovteHThSyF-AMnmpXHurLk2SwM7-rKKndpx8K3r_ag/w500-h640/IMG_8110.JPG" width="500" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">M.F. Basseporte, <i>Fritillaria imperiale.</i></td></tr></tbody></table><p><span style="font-size: x-large;">Fu proprio Aubriet, pittore del Jardin du Roi, ad introdurre Madeleine Françoise Basseporte in questo ambiente altamente specializzato ed esclusivo, scegliendola come sua assistente e, nel 1735, quale erede della sua prestigiosa carica.</span></p><p><span style="font-size: x-large;"><span>Prima e ultima donna a ricoprire il ruolo di "peintre ordinaire" di</span> Luigi XV, Madeleine pagherà purtroppo questo onore, tutto maschile, con la rinuncia a percepire un adeguato onorario. In pratica, a fronte del privilegio accordatole, accettò di lavorare per pochi denari. All'incarico reale la pittrice dovette affiancare, per assicurarsi un'esistenza decorosa, normali commissioni private, sempre scelte nell'ambito della pittura di piante.</span></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLt8TZFARxUppjrP5Aq6dJIqqGJUf9zxoeBTrARPak7lucwZvSSKb3iJLqFm5GpVC_U_bavTRC4oUn2cmUxqb16LlPR3ErSr-80LtmPkFePCIRkhPvIFs-dMZlgeUTBwdDX__CykYSwh4D7mQWShbMvLh8LHiK3Kpuu6h8IHygBlVmiCbZ2HC6vZKK6g/s1025/IMG_8118.JPG" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1025" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLt8TZFARxUppjrP5Aq6dJIqqGJUf9zxoeBTrARPak7lucwZvSSKb3iJLqFm5GpVC_U_bavTRC4oUn2cmUxqb16LlPR3ErSr-80LtmPkFePCIRkhPvIFs-dMZlgeUTBwdDX__CykYSwh4D7mQWShbMvLh8LHiK3Kpuu6h8IHygBlVmiCbZ2HC6vZKK6g/w468-h640/IMG_8118.JPG" width="468" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">M.F. Basseporte, <i>Iris oncocyclus.</i></td></tr></tbody></table><br /><span style="font-size: x-large;">Dopo sessant'anni d'intenso lavoro, Madeleine Françoise Basseporte si spense il 6 settembre 1780, onorata e celebrata come artista d'eccezione, sia per l'indiscusso talento, che per la capacità di svincolarsi dai pesanti condizionamenti di leggi, consuetudini sociali e radicati pregiudizi imposti alle donne del suo tempo.</span><p></p><p><span style="font-size: x-large;">La sua notevole figura, caduta ingiustamente nell'oblio e a nostro avviso tutta da riscoprire, ci ricorda, pur nella sua unicità, altre due eminenti pittrici naturaliste del secolo precedente: la miniatrice italiana Giovanna Garzoni, autorevole esponente della celebre Accademia di S. Luca e l'esploratrice tedesca Maria Sibylla Merian, la quale non esitò ad abbandonare gli agi di una vita borghese per dedicarsi allo studio e alla rappresentazione pittorica della natura selvaggia, nel lontano Suriname.</span></p><p><span style="font-size: x-large;">AuT</span></p><p></p><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggf-g8ZjiOK_DWjxuVtiJ8ifR30g3GGWknkYe-j37BXksDHvPw7EEtmKxh4ldpOG8ruVDm4tH9GjXVEaYTfI8MlPbqjRVM91WHQ56Ruy5TE2S_VLuicwB8neRgOj7mHjwUM3TxQUrTUY0CxQMwy6qGoPLF4SVqx0D5fDurU_tSo_YAoP7S-zMfb_gBdQ/s923/IMG_8120%20(1).jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="923" data-original-width="717" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggf-g8ZjiOK_DWjxuVtiJ8ifR30g3GGWknkYe-j37BXksDHvPw7EEtmKxh4ldpOG8ruVDm4tH9GjXVEaYTfI8MlPbqjRVM91WHQ56Ruy5TE2S_VLuicwB8neRgOj7mHjwUM3TxQUrTUY0CxQMwy6qGoPLF4SVqx0D5fDurU_tSo_YAoP7S-zMfb_gBdQ/w311-h400/IMG_8120%20(1).jpg" width="311" /></a></div><p></p><p><span style="font-size: large;">Cliccando <a href="https://gallica.bnf.fr/ark:/12148/btv1b69550869/f27.item">qui </a>è possibile accedere ai dipinti originali di Madeleine Françoise Basseporte, oggi conservati presso la Bibliothèque nationale de France (da Gallica).</span></p></div></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-50253095121557040362022-06-18T06:26:00.010-07:002022-10-06T05:39:04.167-07:00Due laboratori sul tema della Lavanda, nell’Illustrazione botanica e nella Miniatura.<span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0);"><span style="font-family: times; font-size: x-large;">Dal campo di lavanda in fiore del Monastero Benedettino di S. Cecilia in Urbe, nel cuore di Roma, due imperdibili appuntamenti con LaborArt, per dipingere le spighe di lavanda prima della raccolta.</span></span><div><span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0);"><span style="font-family: times; font-size: x-large;"><br /></span></span></div><div><span style="-webkit-tap-highlight-color: rgba(0, 0, 0, 0);"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsk8oL1K26LYFLaDOxBgqLP4r3CfBnacRvgtyGmqO7m4jwjKpEaMdrM6FSCfjKMf7O_IBHxIgBQQCq7nV4_NW4Q_p1uLtIrN4xj16kJP8OTp_MJrOO4ba49ViuAjr7ZrJGsC3CzTJNwr2FZhCyobe4JTp4WskSjTtypmuIghLzuQKtMHaf19vtUfwpBw/s1038/IMG_7483.jpg" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" data-original-height="1038" data-original-width="734" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjsk8oL1K26LYFLaDOxBgqLP4r3CfBnacRvgtyGmqO7m4jwjKpEaMdrM6FSCfjKMf7O_IBHxIgBQQCq7nV4_NW4Q_p1uLtIrN4xj16kJP8OTp_MJrOO4ba49ViuAjr7ZrJGsC3CzTJNwr2FZhCyobe4JTp4WskSjTtypmuIghLzuQKtMHaf19vtUfwpBw/w284-h400/IMG_7483.jpg" width="284" /></a></div></span></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-91482891548114982072022-05-09T21:58:00.014-07:002022-05-13T12:27:00.731-07:00<p> <span style="font-family: EB Garamond; font-size: x-large;">Può accadere che l'uomo si lanci nelle imprese più straordinarie pur di conquistare il cuore della donna amata. E' questo il caso di Charles de Sainte-Maure, duca di Montausier e Signore di Pugny, il quale non esitò a reclutare, nella prima metà del XVII secolo, un grande pittore naturalista e uno stuolo di poeti, tra cui forse Pierre Corneille, per sedurre con un florilegio miniato e in versi la bella e preziosissima figlia della marchesa di Rambouillet, Julie d'Angennes.</span></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSD6DSkhv21pz1gWAPv4sCO25GZox76EicEsemP_laEhLWI4LDLkz3b7pLIOS-Pdn8NOwfx41XreF1zcFSD1mUgixqGqkKN5n4o2eLR4k706BUu2w2UEplawR0eDZDwoLB997XkbkimrnO1_k4z3_dU9zQfUjPzvFaGGo6WnzVPPGfsGonqWbGdAQMJw/s1019/guirlande%202.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1019" data-original-width="670" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgSD6DSkhv21pz1gWAPv4sCO25GZox76EicEsemP_laEhLWI4LDLkz3b7pLIOS-Pdn8NOwfx41XreF1zcFSD1mUgixqGqkKN5n4o2eLR4k706BUu2w2UEplawR0eDZDwoLB997XkbkimrnO1_k4z3_dU9zQfUjPzvFaGGo6WnzVPPGfsGonqWbGdAQMJw/w420-h640/guirlande%202.jpeg" width="420" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">"Julie d’Angennes"</td></tr></tbody></table><span style="font-family: EB Garamond; font-size: x-large;"><br /></span><p></p><p><span style="font-size: x-large;"><span style="font-family: "EB Garamond";">"La Guirlande de Julie", questo il titolo del florilegio, fu concepita dal duca di Montausier nel 1632, nell'intento di avere la meglio sui numerosi pretendenti dell'affascinante fanciulla. L'opera realizzata era ricca di grande </span><i style="font-family: "EB Garamond";">charme</i><span style="font-family: "EB Garamond";">: i fiori elegantemente dipinti e i versi che in forma di madrigali li accompagnavano, visti in filigrana, parlavano delle mille e una virtù dell'amata, dando vita ad un corteggiamento davvero irresistibile.</span></span></p><p></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggxWyp6TFO8xl7Ke-Swj-o8vUsV3aK5NiZiD66xFQkIuz_u1-Mga-17Yz2QKm6983Ljw2-CaL95nowFY9L4--Y55OiKXTh97qF-pyUjPnZleMk3QhamO9-q2khoEnQk59ZalaFc8RxRkdLGmfBNsUIkX0GNelz7Jm1au7rdAPS_IFLwQV_No9BgMMpZg/s1462/guirlande.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1462" data-original-width="1024" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggxWyp6TFO8xl7Ke-Swj-o8vUsV3aK5NiZiD66xFQkIuz_u1-Mga-17Yz2QKm6983Ljw2-CaL95nowFY9L4--Y55OiKXTh97qF-pyUjPnZleMk3QhamO9-q2khoEnQk59ZalaFc8RxRkdLGmfBNsUIkX0GNelz7Jm1au7rdAPS_IFLwQV_No9BgMMpZg/w448-h640/guirlande.jpeg" width="448" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Nicolas Robert, frontespizio de "La Guirlande de Julie". Bnf.<br /><br /></td></tr></tbody></table><p></p><p><span style="font-family: "EB Garamond";"><span style="font-size: x-large;">Una mattina Mademoiselle de Rambouillet trovò sulla sua toilette il manoscritto rilegato dall'ottimo "Le Gaston" in finissimo marocchino rosso, la copertina era disseminata di cifre J e L (Julie Lucine) intrecciate e impresse in oro. All'interno, le pagine in vello recavano novanta madrigali calligrafati dal celebre "Nicolas Jarry" e ispirati ai 29 ritratti di fiori dipinti con tecnica miniata da colui che divenne prima pittore del principe Gaston d'Orleans e in seguito pittore miniatore del re Louis XIV, ovvero il grande miniatore naturalista, Nicolas Robert (1614-1675). </span></span></p><p><span style="font-family: "EB Garamond"; font-size: x-large;">A partire da quella mattina del 1641 passarono ancora alcuni anni, poi Julie capitolò, convolando a nozze con il suo tanto galante quanto tenace innamorato.</span></p><p style="text-align: center;"></p><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM4_PLNHaN_WCAH_e1cRwz11LS18rYFEIiMRRI4gQmoWZhoN566h3o3LdgV5-Thp65oK6jU8VWTWl1NCaPd3iaRYkbOMKx5c2d8PDU43cVOyk42EtKu-lSycIougzl3DxISxlTzKQ6Q-47LZHKGpCWCFaC4mSahJoVBUaLvzbvlbcoE4JMwhL6SpytDg/s1080/zefiro.jpeg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="1080" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjM4_PLNHaN_WCAH_e1cRwz11LS18rYFEIiMRRI4gQmoWZhoN566h3o3LdgV5-Thp65oK6jU8VWTWl1NCaPd3iaRYkbOMKx5c2d8PDU43cVOyk42EtKu-lSycIougzl3DxISxlTzKQ6Q-47LZHKGpCWCFaC4mSahJoVBUaLvzbvlbcoE4JMwhL6SpytDg/w444-h640/zefiro.jpeg" width="444" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Nicolas Robert, "Zefiro a Julie". Bnf.</td></tr></tbody></table><br /><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgmP7awHrjg3StwkAyWF4fDslDFVWWSbb1sXjleF7Z9mzWrravHd7bptWaXan7ocQf2OTAgiYBf-n_XEcke0coeGxPIKOYgrcIDwAIOaE3DfRXUQE0VBTfVPflFZj3TQBZdF6jWPmY7UuwuXdNAerL2oheUnfHPWuHM5OYhBYpYWuqFoKpoTKFkiozXg/s666/rosa.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" data-original-height="666" data-original-width="501" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhgmP7awHrjg3StwkAyWF4fDslDFVWWSbb1sXjleF7Z9mzWrravHd7bptWaXan7ocQf2OTAgiYBf-n_XEcke0coeGxPIKOYgrcIDwAIOaE3DfRXUQE0VBTfVPflFZj3TQBZdF6jWPmY7UuwuXdNAerL2oheUnfHPWuHM5OYhBYpYWuqFoKpoTKFkiozXg/w482-h640/rosa.jpg" width="482" /></a></td></tr><tr><td class="tr-caption" style="text-align: center;">Nicolas Robert, "La Rosa". BnF.<br /><br /></td></tr></tbody></table><table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto;"><tbody><tr><td style="text-align: center;"><span style="margin-left: auto; margin-right: auto;"><a href="https://gallica.bnf.fr/ark:/12148/btv1b8451620k.image"><img border="0" data-original-height="728" data-original-width="512" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEitVnnhbugf-E2v_q68CC_xFC--YNwrq2kPPUh2XEEQqKSBI3-CWiwY37cYnN5ZUVxRRk0mLQKCjzrday46PLP3H9X6xW5OTTD7IeoCjtYWzz244hbxpFE_RRplMeYyKpX_iitovhht71iPl2s1oL5kpFSsmEDrvMHMg68nkzYQVAYhqvw3KL74g94qqA/w450-h640/!cid_6a852a92-4bbc-4901-881f-6b3e79482589@peltim.jpg" width="450" /></a></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><a href="https://gallica.bnf.fr/ark:/12148/btv1b8451620k.image"><span><span style="font-size: medium;">Cliccando qui o sulla copertina è possibile accedere <br />al documento originale, oggi conservato presso <br />la Bibliothèque nationale de France. (da Gallica)</span><br /></span><br /></a></td></tr></tbody></table><p></p>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-37229964282804751512022-04-27T07:50:00.026-07:002022-10-06T05:39:22.716-07:00“Petali e Pennelli”: Laboratori di Pittura Botanica sul tema della Rosa<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5TzatgmGFBEJjEScjcxuOU3XbLdJWIE5ozuLkWzk70ddP3ndasMVUHCGezg7250d4fcMYcrGFb6mb-rHBaudNSUNNe7xOS6-wafMOxOhFWYmJSi_qkZpPddZCUx8N8XZjYwGifJHMrDaVomJb2kiwTQaiPNh4XeOyM2zLGURDK3UUuR4d65kUPyFxtw/s1043/C2963AC6-33AF-45D1-90AB-44C8A98702CF.jpeg" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="1043" data-original-width="719" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh5TzatgmGFBEJjEScjcxuOU3XbLdJWIE5ozuLkWzk70ddP3ndasMVUHCGezg7250d4fcMYcrGFb6mb-rHBaudNSUNNe7xOS6-wafMOxOhFWYmJSi_qkZpPddZCUx8N8XZjYwGifJHMrDaVomJb2kiwTQaiPNh4XeOyM2zLGURDK3UUuR4d65kUPyFxtw/w276-h400/C2963AC6-33AF-45D1-90AB-44C8A98702CF.jpeg" width="276" /></a></div><table cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: left;"><tbody><tr><td style="text-align: center;"><span style="font-size: large;"><br /></span></td></tr><tr><td class="tr-caption" style="text-align: center;"><div style="text-align: left;"><span style="color: #cccccc; font-family: "EB Garamond";"><span style="font-size: x-large;">Forti e delicate, vellutate e pungenti, le Rose saranno le protagoniste dei due laboratori primaverili di Disegno e Pittura Botanica organizzati, tra la fine di aprile e la metà di maggio 2022, dal Monastero Benedettino di S. Cecilia in Urbe.</span></span></div><div style="text-align: left;"><span style="color: #cccccc; font-family: EB Garamond; font-size: x-large;">Declinate secondo le loro molteplici personalità, forme e innumerevoli sfumature di colori, le Rose verranno studiate e ritratte sia a matita che ad acquerello su carta, seguendo il solco tracciato dagli antichi miniatori monastici. </span></div><div style="text-align: left;"><span style="color: #cccccc; font-family: EB Garamond; font-size: x-large;">Durante le esercitazioni si approfondiranno conoscenze e tecniche grafico-pittoriche, scoprendo nuovi aspetti della ricchezza formale e cromatica delle piante e sperimentando ancora una volta l'importanza di un'osservazione del creato attenta ed emotivamente partecipe.</span></div></td></tr></tbody></table><p></p>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-64864636441801217452019-01-18T01:58:00.008-08:002022-10-06T05:39:38.241-07:00"Scorze e Pennelli": Corso di Pittura Botanica in Monastero<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #cccccc; font-size: x-large;">Per dipingere gli Agrumi, scoprendone l'eleganza delle forme, la storia radicata nel mito e, ad ogni pennellata, la luminosità e il profumo...</span></div>
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<span style="color: #cccccc; font-size: large;"><i>Per informazioni si prega di scrivere a:</i></span></div>
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<a href="https://www.blogger.com/goog_1689040044"><span style="color: #e69138; font-size: large;">laborart@benedettinesantacecilia.it</span></a></div>
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<span style="color: #e69138; font-size: large;"><a href="mailto:aura.tazza@gmail.com">aura.tazza@gmail.com</a></span></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-4459772352589716882018-09-27T14:53:00.009-07:002022-06-17T21:53:22.981-07:00Le "Grandes Heures" d’Anna di Bretagna<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #cccccc;"><span style="font-size: x-large;">Preziosi gioielli della miniatura medievale </span><span style="font-size: x-large;">e rinascimentale, i Libri d'Ore hanno accompagnato per secoli la preghiera di personaggi illustri, </span><span style="font-size: x-large;">principi e principesse regnanti d'Europa, scandendone le giornate al ritmo della Liturgia delle Ore.</span><br />
<span style="font-size: x-large;">Tratti dal breviario e mai considerati libri liturgici, i <i>Livres d'Heures, Libros de Horas, Book of Hours</i>, erano essenzialmente costituiti dal Salterio, la raccolta di 150 salmi composti dal re David, orazioni da recitare durante la settimana, secondo la scansione delle ore canoniche. </span><br />
</span><span style="font-size: x-large;"><span style="color: #cccccc;">Nel corso del XV secolo, periodo del loro massimo splendore e maggiore diffusione, i Libri d'Ore si arricchirono del Calendario, dell'Ufficio della Vergine, delle Litanie e dell'Ufficio dei Defunti.</span></span><br />
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<span style="color: #cccccc;"><span style="font-size: x-large;">Elaborate e raffinatissime, le immagini di questi libri di preghiere costituivano autentici capolavori, scaturiti spesso dal genio di artisti famosi. Splendide scene bibliche, dipinte con </span><span style="font-size: x-large;">grande ricercatezza cromatica</span><span style="font-size: x-large;"> e </span><span style="font-size: x-large;">con dovizia di</span><span style="font-size: x-large;"> dettagli, giorno per giorno, ora per ora, fornivano un prezioso sostegno al devoto esercizio dell'orazione privata.</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>La regina Anna di Bretagna</span><br /></span>
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<span style="color: #cccccc;"><span style="font-size: x-large;">Molto diffusi nelle corti lombarde e francesi, così come in quelle inglesi e fiamminghe, gli esemplari di Libri d'Ore scritti e dipinti a mano a noi pervenuti sono numerosi. Fra i più suggestivi si conserva quello della regina Anna di Bretagna (1477-1514), capolavoro dell'arte miniatoria francese, creato fra il 1503 e il 1508 e caratterizzato oltre che da un apparato illustrativo di altissima qualità, anche da un ricco dispiegarsi di immagini botaniche, realizzate con straordinaria sensibilità naturalistica. </span><br />
<span style="font-size: x-large;"><span>Anna di Bretagna, che fu due volte regina perché sposa di Carlo VIII prima e di Luigi XII poi, morì a soli 37 anni, ma, nonostante la sua breve esistenza, lasciò di sé un ricordo perenne, anche grazie ai tre Libri d'Ore che le appartennero.</span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Il re David</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>La Natività del Signore</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Lamentazione sul Cristo morto</span><br /></span>
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<span style="font-size: x-large;"><span style="color: #cccccc;">L'autore delle <i>Grandes Heures d'Anne de Bretagne</i>, il pittore e miniatore Jean Bourdichon (Tours 1457- ivi 1521), dipinse magistralmente per quest'opera, oltre alle 50 e più immagini di santi e di episodi biblici a tutta pagina, anche delle vere e proprie tavole botaniche poste a margine delle pagine di testo, realizzando così, all'interno di un'opera squisitamente spirituale, un autentico trattato di botanica. Anna di Bretagna oltre che donna pia, era infatti, appassionata di giardini e, come dimostra la sua biblioteca, interessata a studi scientifici, in particolare naturalistici e botanici. Dunque, questo libro d'ore parla di lei, attraverso i secoli, in modo intimo e profondo.</span></span><br />
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<span style="color: #cccccc;"><span style="font-size: x-large;"><span>Fra le oltre 330 immagini di piante, recanti ognuna il nome latino e volgare e popolate da numerosi insetti e piccole creature, ve ne sono alcune dedicate alla Rosa, alle Rosaceae e all'Arancio. Le propongo in queste pagine dedicate alla Rosa, regina dei giardini di ogni tempo e ai frutti delle Esperidi, certa d'incontrare il favore di lettrici e lettori.</span></span><br />
<span style="font-size: x-large;"><span>AuT</span></span><br />
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<span style="font-size: large;"><span style="font-size: large;"><i>Le Horae ad usum Romanum, dette "Grandes Heures d'Anne de Bretagne" sono attualmente conservate presso la Bibliothèque Nationale de France. </i></span></span><br />
<span style="font-size: large;"><span style="font-size: large;"><i>Per la consultazione on line dell'opera rimando al link:</i></span></span><br /></span>
<span style="color: #e69138;"><span style="font-size: large;"><a href="https://gallica.bnf.fr/ark:/12148/btv1b52500984v/f1.item">https://gallica.bnf.fr/ark:/12148/btv1b52500984v/f1.item</a></span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Rose Alba e Rose di Provins</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Rosa eglantina</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Pruno</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Cinorrodi di Rosa eglantina</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Rami di Ciliegio</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span><span style="color: #cccccc; font-size: large;">Arancio amaro </span></span></td></tr>
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-69674166394718727822018-09-20T02:00:00.009-07:002022-10-06T05:34:32.269-07:00"Fiori, Frutti, Kosmos"<span style="color: #cccccc;"><span style="font-size: x-large;">Nella quiete degli spazi monastici della Basilica di Santa Cecilia in Trastevere si è inaugurato lo scorso 15 settembre il Corso di Pittura Botanica <b>"Fiori, Frutti, Kosmos"</b>, dedicato alle piante bibliche coltivate nel chiostro medievale del Monastero. </span><br /></span>
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<a href="https://3.bp.blogspot.com/-IEmVW0suQnI/W-HglmVJlgI/AAAAAAAAEw4/DlwlNJNrjPsncj0Gdq0sN3hU7o7h-pldwCLcBGAs/s1600/IMG_5669.JPG" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="678" data-original-width="960" height="452" src="https://3.bp.blogspot.com/-IEmVW0suQnI/W-HglmVJlgI/AAAAAAAAEw4/DlwlNJNrjPsncj0Gdq0sN3hU7o7h-pldwCLcBGAs/s640/IMG_5669.JPG" width="640" /></a></div>
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<span style="color: #cccccc;"><span><span style="font-size: x-large;">Primo tema del Corso è stato il <b><i>Ficus carica </i>L.</b>, pianta ricca di significati simbolici e dotata di straordinaria bellezza. </span></span><br />
<span><span style="font-size: x-large;">Fonte perenne d'ispirazione per gli artisti, il Fico rimanda allo scritto veterotestamentario della Genesi, in cui i</span><span style="font-size: x-large;"> nostri comuni antenati, Adamo ed Eva,</span><span style="font-size: x-large;"> si cibarono del</span><span style="font-size: x-large;">l'albero del bene e del male</span><span style="font-size: x-large;">...</span></span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Albero di Fico dalla "Casa del Frutteto", Pompei, I sec. dC.</span></span><span style="color: #444444; font-size: small;"><br /></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>"Il Peccato Originale". Lorenzo Maitani, inizi del XIV secolo.</span></span><span style="color: #444444; font-size: small;"><br /></span>
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<span style="color: #cccccc;"><span style="font-size: small;"><span style="font-size: x-large;">Osservate con viva attenzione, le belle foglie palmate del Fico, insieme con i siconi verdi o bruni, sono diventate un formidabile soggetto su cui esercitare la mente e la mano, immersi in un'atmosfera di grande concentrazione ed entusiasmo.</span></span><br />
<span style="font-size: x-large;">Arrivederci alla seconda lezione del 22 settembre, dedicata ancora </span><span style="font-size: x-large;">a questo affascinante tema!</span></span></div><div style="text-align: left;"><span style="color: #cccccc;"><span style="font-size: x-large;"><br /></span></span></div></td></tr></tbody></table>
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<span style="font-size: x-large;"><span style="color: #cccccc;">Ricordiamo le lezioni di spiritualità che verranno tenute nel mese di novembre da Mons. Crispino Valenziano, per coloro che desiderino approfondire la conoscenza delle piante bibliche anche nei loro molteplici significati simbolici.</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><i>Ficus carica</i> 'dall'Osso'. Pomona Italiana. Giorgio Gallesio (1817-1839)</span></td></tr>
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-83758195237388586722018-08-10T01:05:00.002-07:002022-05-02T02:39:18.644-07:00Tornando a Raoul Dufy e alle sue Rose<div class="separator" style="clear: both; text-align: center;">
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<span style="color: #cccccc; font-size: x-large;">Se nell'ambito del Fauvismo Raoul Dufy ha dato vita ad opere di grande originalità e freschezza, utilizzando efficacemente il suo talento grafico e coloristico, con uguale maestria egli ha operato come disegnatore tessile, rivoluzionando fra il 1909 e il 1930 la produzione di stoffe per la moda e per l'arredamento. </span></div>
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<span style="color: #cccccc; font-size: x-large;">Dopo l'incontro con Matisse che lo introdurrà al Fauvismo, sarà lo stilista Paul Poiret a segnare per Dufy un nuovo percorso creativo, offrendo all'artista la possibilità di far emergere il proprio genio nel campo della decorazione tessile. In seguito, la ditta "Bianchini et Férier", attratta dalle innovative creazioni di Dufy, si assicurerà con un contratto l'esclusività della sua opera.</span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, "Rose", 1920 ca., gouache su carta (originale</span><span style="color: #cccccc; font-size: large;">)</span></td></tr>
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<span style="color: #cccccc;"><span style="font-size: x-large;">Nelle composizioni seriali dell'artista, come in quelle più libere e meno strutturate, il motivo della Rosa ricorre frequentemente. N</span><span style="font-size: x-large;">elle soluzioni prossime al decorativismo classico, la regina dei fiori è sempre interpretata da Dufy con sottile e divertita ironia, fino a simulare, con il mezzo grafico del punto-tratto, i tessuti in pizzo di vecchia memoria. </span><br />
<span style="font-size: x-large;">Altrove la rosa è investita dai più vividi e solari colori Fauve, divenendo protagonista di decorazioni tessili di assoluta avanguardia. </span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, Rose verdi con fiocchi blu</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, Cornucopie grigie e rose</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, "Roses per Baboin"</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, "Feuillages et roses en pointilles",<br /> gouache, matite e matite colorate</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Raoul Dufy, "Roses sur striés noires"</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, "Parterre de Fleurs et de Feuilles", 1920 ca.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Raoul Dufy, "Roses", stampa su cotone, 1929</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Raoul Dufy, "Roses Sauvages"</span><br /></span>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Raoul Dufy, "Roses noires sur fond beige".</span></span><span style="color: #666666; font-size: small;"><br /></span></td></tr>
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-39531859017243333082018-08-07T23:35:00.009-07:002022-05-02T02:38:19.197-07:00Le Rose di Raoul Dufy<span style="color: #cccccc;"><span style="font-size: x-large;">Era un ragazzo povero costretto a lavorare per vivere, ma dotato di grande talento. Oggi Raoul Dufy è considerato un artista tra i più originali e versatili del XX secolo.</span><br />
<span><span style="font-size: x-large;">Nato a Le Havre nel 1877, studente lavoratore dall'età di quattordici anni, dopo aver frequentato l'Ecole de Beaux-Arts della sua città natale</span></span><span style="font-size: x-large;">, nel 1901 </span><span style="font-size: x-large;">riesce a recarsi </span><span style="font-size: x-large;">a Parigi grazie ad una modesta borsa di studio e lì, sotto la guida del Maestro P. Bonnat, si dedica alla pittura impressionista. V</span><span style="font-size: x-large;">enuto a contatto con il colorismo di Matisse, Raoul Dufy ne rimane folgorato, divenendo uno dei più brillanti pittori del movimento Fauvista.</span></span><br />
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<span style="color: #cccccc; font-size: large;">Raoul Dufy, "Trente Ans ou la Vie en Rose"</span></div>
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<span style="color: #cccccc;"><span style="font-size: x-large;">Oltre al forte senso del colore che lo porta a prediligere tinte squillanti, Dufy trova nell'eleganza dei grafismi, sovrapposti alle macchie cromatiche, la cifra caratteristica della sua arte. L</span><span style="font-size: x-large;">inee e colori interagiscono sulla tela, traendo forza le une dagli altri, realizzando una sintesi ricca di gioiosa vitalità, </span><span style="font-size: x-large;">leggerezza </span><span style="font-size: x-large;">e dinamismo.</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;"><span>Raoul Dufy, "House and Garden", 1915</span><br /></span>
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<span><span style="color: #cccccc; font-size: x-large;">Tra le molte specie di fiori dipinte da Dufy, spiccano per bellezza le Rose, talvolta solitarie, più spesso composte in mazzi variopinti e vibranti di vita.</span></span></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy, "Roses dans un Vase", 1941</span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc; font-size: large;">Raoul Dufy</span></td></tr>
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<span style="color: #cccccc;"><span style="font-size: x-large;">Sperimentando tecniche e materiali alla ricerca di soluzioni innovative anche nell'ambito della scenografia e delle arti decorative, Dufy crea disegni di stoffe e arazzi dove ricorre il motivo della Rosa, sovente in forma seriale.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="font-size: small;"><span style="color: #666666;">Raoul Dufy, "Roses", stampa su cotone, 1929</span></span><br />
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<span style="color: #cccccc;"><i style="font-size: x-large;"><b>Bibliografia:</b></i><span style="font-size: x-large;"></span><br />
<span style="font-size: large;">-P. Courthion, R. Dufy, Ginevra 1951</span><br />
<span style="font-size: large;">-J. Lassaigne, Dufy, Ginevra, 1954</span><br />
<span style="font-size: large;">-Raoul Dufy, Maximilien Gauthier, Ed. Flammarion, 1966</span><br />
<span style="font-size: large;">-Dufy, A. Werner, Ars Mundi, 1990</span><br />
<span style="font-size: large;">-Les couleurs du bonheur, Rudy Ricciotti, Ed. Silvana, 2017</span></span>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-84006662852137016582018-08-05T10:17:00.007-07:002022-10-06T05:39:54.950-07:00LABORART, "Petali e Pennelli", Corso di Acquerello Botanico in Monastero.<span><span style="font-size: x-large;">Ecco alcune delle foto del Corso di Disegno e Acquerello Botanico che ho tenuto nei passati mesi di maggio e giugno 2018 presso <i>Laborart</i>, il laboratorio dell'antico Monastero Benedettino di S. Cecilia, in Roma. </span><br />
<span style="font-size: x-large;">Ricordo l'esperienza di <i>"Petali e pennelli"</i> come bella e appassionante per me, docente del corso e</span><span style="font-size: x-large;"> per i numerosi allievi, tutti partecipi e impegnati a fondo nell'arte dell'osservare e ritrarre le piante!</span><br />
<span style="font-size: large;">(<i>Fotografie di Ilaria Miani</i>)</span><br /></span>
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-58324042983923159532018-08-05T07:03:00.007-07:002022-10-06T05:40:34.610-07:00LABORART, Corso di Acquerello Botanico al Monastero di S. Cecilia, in Trastevere.<span><br />
<span style="font-size: x-large;"><span>Dal prossimo 15 settembre 2018</span> inizierà il c<span>orso di Acquerello Botanico <b><i>"Fiori, Frutti, Kosmos"</i></b>, per dipingere le piante bibliche coltivate nel chiostro del Monastero Benedettino di Santa Cecilia, in Trastevere: <i><b>Fico, Melograno, Ulivo e Palma</b></i>. </span></span><br />
<span style="font-size: x-large;"><span>il Corso, composto da sette lezioni di cinque ore ciascuna, saranno tenute da Aurora Tazza presso il laboratorio d'arte del Monastero "LaborArt". </span></span><br />
<span style="font-size: x-large;"><span>Chi desidera, potrà approfondire questi temi anche da un punto di vista spirituale, seguendo le relative lezioni di Mons. Crispino Valenziano.</span></span><br />
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<span style="font-size: x-large;"><i>Le lezioni sono aperte a tutti ed è possibile scegliere anche uno o più temi fra quelli proposti.</i></span><br />
<span style="font-size: x-large;"><span><i>Le <b>iscrizioni</b> sono già aperte e devono essere effettuate presso il Monastero di S. Cecilia. Si chiuderanno l'8 settembre.</i></span></span><br />
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<span style="font-size: x-large;"><span>Per ulteriori informazioni scrivere a:</span></span></span><div><span><span style="font-size: x-large;"><a href="mailto:laborart@benedettinesantacecilia.it">laborart@benedettinesantacecilia.it</a><br /></span></span><span style="font-size: x-large;"><a href="mailto:aura.tazza@gmail.com">aura.tazza@gmail.com</a></span><div><span style="font-size: x-large;"><br /></span>
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</div></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-91777861678163016792016-10-20T04:25:00.004-07:002022-05-02T01:38:45.011-07:00Disegnamo insieme, con carte, gomme e matite, al Museo della Grafica di Pisa<div class="separator" style="clear: both; text-align: left;">
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<div style="text-align: left;"><span style="color: #eeeeee;"><em><span style="font-size: x-large;">Il Museo della Grafica di Palazzo Lanfranchi, di Pisa, organizza una serie di cinque lezioni, a cura di Aurora Tazza, sul disegno a mano libera. </span></em><em><span style="font-size: x-large;">Durante gli incontri si farà esperienza di alcune tecniche grafiche, quali la grafite, la sanguigna e la seppia e dei processi creativi loro propri. </span></em></span></div>
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<span style="color: #eeeeee; font-size: x-large;"><em>Le lezioni si svolgeranno il 24-25 novembre </em></span></div>
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<span style="color: #eeeeee; font-size: x-large;"><em>e il 15-16 dicembre 2016, il 16-17 febbraio, </em></span></div>
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<span style="color: #eeeeee; font-size: x-large;"><em>il 16-17 marzo e il 20-21 aprile 2017. </em></span></div>
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<span style="color: #eeeeee; font-size: x-large;"><em>Ore 14:00-18:00/09:30-13:30.</em></span></div>
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<em><span style="color: #eeeeee;"><span style="font-size: x-large;">I</span><span style="font-size: x-large;">l Corso è aperto a tutti.</span></span></em></div>
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<span style="color: #eeeeee;"><em><span style="font-size: x-large;"></span></em> </span></div>
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<span style="color: #eeeeee; font-size: large;">Per informazioni si prega di contattare i numeri:</span></div>
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<span style="color: #eeeeee; font-size: large;"><strong>050 2216067/062</strong>.</span></div>
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<span style="color: #eeeeee; font-size: large;">Prenotazioni, fino ad esaurimento posti, </span></div>
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<span style="color: #eeeeee; font-size: large;">al numero sopra indicato o per e.mail:</span></div>
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<a href="mailto:museodellagrafica@adm.unipi.it"><span style="color: #eeeeee; font-size: large;"><strong>museodellagrafica@adm.unipi.it</strong></span></a></div>
<div style="text-align: left;">
<span style="color: #eeeeee; font-size: large;">entro le ore 14:00 del 07/11/2016</span></div>
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<a href="https://2.bp.blogspot.com/-YkLEt0o4Gi0/WAiiM-OfijI/AAAAAAAAEMo/LqCrtm3ME_Im8jeScg6qcyv26VvgO-eIACEw/s1600/Loc%2Bcorso%2Bdis%2Bjpg.jpg" style="margin-left: 1em; margin-right: 1em;"><span style="color: #666666;"><img border="0" height="640" src="https://2.bp.blogspot.com/-YkLEt0o4Gi0/WAiiM-OfijI/AAAAAAAAEMo/LqCrtm3ME_Im8jeScg6qcyv26VvgO-eIACEw/s640/Loc%2Bcorso%2Bdis%2Bjpg.jpg" width="450" /></span></a></div>
Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-59784184729787870452016-05-09T02:28:00.003-07:002022-10-06T05:42:56.529-07:00Dipingere Rose ad acquerello al Museo della Grafica di Pisa<span><span style="font-size: x-large;"><em>Come annunciato lo scorso 4 aprile, dopo le esercitazioni sulla pittura di fiori e frutti viola, svolte nel generale entusiasmo dei partecipanti, il Museo della Grafica di Palazzo Lanfranchi, a Pisa, propone un nuovo seminario, sempre a cura di Aurora Tazza, in uno o due appuntamenti, dedicato alla pittura ad acquerello della Rosa. </em></span><br />
<span style="font-size: x-large;"><em>Gli appassionati di questo magnifico fiore potranno imparare a dipingerne petali e corolle e, in particolare, quelle dai toni caldi e dalle delicate sfumature rosa e albicocca.</em></span></span><div>
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<span style="color: #cccccc;"><span style="font-size: large;"><strong><em>Data: giovedì-venerdì 9-20 maggio 2016.</em></strong></span><br />
<span style="font-size: large;"><strong><em>Orario: 14:00-18:00 / 09:30-13:30.</em></strong></span><br />
<span style="font-size: large;">Il costo del seminario è diversificato per ore di frequenza: 120,00 euro (8 ore di frequenza); 60,00 euro(4 ore di frequenza).</span><br />
<span style="font-size: large;"><strong><em>La partecipazione è su prenotazione</em></strong> fino ad esaurimento dei posti disponibili.</span><br />
<span style="font-size: large;">Le prenotazioni saranno accettate per posta elettronica all'indirizzo: </span><a href="mailto:museodellagrafica@adm.unip.it"><span style="font-size: large;"><strong><u>museodellagrafica@adm.unip.it</u></strong></span></a><br />
<span style="font-size: large;">o telefonando ai numeri <strong>050 2216067/062</strong> entro le ore 14 del 17 maggio 2016.</span></span></div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-80599426404363811132016-04-17T00:48:00.004-07:002022-10-06T05:43:33.958-07:00"Maria Merian's Butterflies", Buckingham Palace<div class="separator" style="clear: both; text-align: center;">
<a href="https://www.royalcollection.org.uk/exhibitions/qgbp/maria-merians-butterflies"><img alt="https://www.royalcollection.org.uk/exhibitions/qgbp/maria-merians-butterflies" border="0" height="358" src="https://3.bp.blogspot.com/-eRLghr2ar5Q/VxMyQQtJaYI/AAAAAAAAEFM/rDmR54SHljwYUwr0tTxgeue1CS5hNJQdQCLcB/s640/Merian%2B0.jpg" width="640" /></a></div>
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<span style="font-size: x-large;">"<em>In gioventù mi dedicai a ricercare insetti: cominciai con i bachi da seta nella mia città natale di Francoforte. Osservai poi che essi, come altri bruchi, si trasformavano in belle farfalle notturne e diurne. Questo mi spinse a raccogliere tutti i bruchi che potevo trovare per osservarne la trasformazione. Ma, per disegnarli e descriverli dal vero con tutti i loro colori, ho voluto esercitarmi anche nell'arte della pittura</em>."</span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">Così si apre l'opera "<em>Metamorphosis Insectorum Surinamensium</em>" dell'artista tedesca e celebre entomologa, Maria Sibylla Merian, le cui tavole dedicate alle farfalle e al loro ciclo vitale, dopo essere state acquistate da Giorgio III e poi inserite nella Royal Collection, sono in mostra dal 15 aprile 2016 presso la Queen's Gallery di Buckingham Palace.</span><br />
<span style="font-size: x-large;">Frutto degli studi e delle attente osservazioni che la Merian condusse dal vivo sugli insetti del Suriname, regione dell'America meridionale dove giunse con sua figlia nel 1699, le opere in mostra a Buckingham Palace costituiscono dei capisaldi non solo della storia dell'illustrazione naturalistica, ma anche della stessa scienza entomologica, inaugurando una nuova visione del mondo degli insetti e delle loro straordinarie metamorfosi, libera da pregiudizi e dai retaggi dell'antico pensiero aristotelico:</span><br />
<span></span><br />
<span style="font-size: x-large;">"(...). <em>In quelle collezioni</em> (olandesi)<em> avevo trovato anche innumerevoli altri insetti, ma se dopo tutto la loro origine e riproduzione è sconosciuta, bisogna chiedersi come si trasformino a partire dai bruchi in crisalide e così di seguito. Tutto questo mi ha finalmente spinta a intraprendere un grande viaggio, da me lungamente desiderato, e a partire per il Suriname</em>."</span><div><span style="font-size: x-large;">AuT<br /></span>
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<span style="font-size: x-large;"><span>La mostra <span><a href="https://www.royalcollection.org.uk/exhibitions/qgbp/maria-merians-butterflies"><strong><em><span>Maria Merian's Butterflies</span></em></strong></a> </span>è visitabile fino al </span><strong>9 ottobre 2016</strong><span>.</span></span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">In questo blog: Maria Sibylla Merian (post del 9 febbraio 2013)</span><br />
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<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td style="text-align: center;"><a href="https://3.bp.blogspot.com/-YlMGww_Q5LA/VxM0RnFfyjI/AAAAAAAAEFY/iTqvXOIbby82hPbaoHg2FFHGcNFEtGGWQCLcB/s1600/Merian%2B13.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://3.bp.blogspot.com/-YlMGww_Q5LA/VxM0RnFfyjI/AAAAAAAAEFY/iTqvXOIbby82hPbaoHg2FFHGcNFEtGGWQCLcB/s640/Merian%2B13.jpg" width="454" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">M. S. Merian</span><br />
<span style="font-size: large;"><span><em>Pachystachys coccinea</em> e stadi evolutivi </span></span><br />
<span style="font-size: large;">della farfalla <em>Caligo idomeneus</em> (1702-03)</span><br />
<span style="font-size: large;">(tav. 60, <em>Metamorphosis Insectorum Surinamensium</em>).</span><br />
<span style="font-size: large;">Acquerello e gouache con contorni lievemente incisi </span><br />
<span style="font-size: large;">su pergamena.</span><br />
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<span style="font-size: small;"><strong>Royal Collection Trust/ </strong><span><strong><span>©</span></strong> He</span><strong>r Majesty Queen Elizabeth II 2016</strong></span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-grLVkLF-x1U/VxM0hsYIEfI/AAAAAAAAEFc/nxPfnZJL0HQ_LlS5DbtAaTTXnBP1tj_EwCLcB/s1600/Merian%2B11.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://1.bp.blogspot.com/-grLVkLF-x1U/VxM0hsYIEfI/AAAAAAAAEFc/nxPfnZJL0HQ_LlS5DbtAaTTXnBP1tj_EwCLcB/s640/Merian%2B11.jpg" width="478" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">M. S. Merian</span><br />
<span style="font-size: large;"><span><em>Erythrina fusca </em>e stadi evolutivi </span></span><br />
<span style="font-size: large;">della falena <em>Arsenura armida </em>(1702-03)</span><br />
<span style="font-size: large;">(tav. 11, <em>Metamorphosis Insectorum Surinamensium</em>).</span><br />
<span style="font-size: large;">Acquerello e gouache con gomma arabica su pergamena.</span><br />
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<span style="font-size: small;"><strong>Royal Collection Trust/ </strong><span><strong><span>©</span> </strong>He</span><strong>r Majesty Queen Elizabeth II 2016</strong></span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-mS8qy4ONfd0/VxM0yMMWptI/AAAAAAAAEFg/cwmHlg8XpFoeo1PJJoWK2u4IlTBKBEpxQCLcB/s1600/Merian12.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://1.bp.blogspot.com/-mS8qy4ONfd0/VxM0yMMWptI/AAAAAAAAEFg/cwmHlg8XpFoeo1PJJoWK2u4IlTBKBEpxQCLcB/s640/Merian12.jpg" width="468" /></a></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">M. S. Merian</span><br />
<span style="font-size: large;"><span><em>Manihot esculenta </em>e stadi evolutivi </span></span><br />
<span style="font-size: large;">della farfalla <em>Anartia jatrophae</em> e </span><br />
<span style="font-size: large;"><em>Tupinambis nigropunctatus </em>(1702-03)</span><br />
<span style="font-size: large;">(tav. 4, <em>Metamorphosis Insectorum Surinamensium</em>).</span><br />
<span style="font-size: large;">Acquerello e gouache, con contorni lievemente incisi </span><br />
<span style="font-size: large;">su pergamena.</span><br />
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<span style="font-size: small;"><strong>Royal Collection Trust/ </strong><span><strong><span>©</span></strong> He</span><strong>r Majesty Queen Elizabeth II 2016</strong></span></span></td></tr>
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</div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-10661628498714883182016-04-04T05:53:00.003-07:002022-10-06T05:44:02.841-07:00A Pisa, due seminari di Acquerello Botanico a Palazzo Lanfranchi<span style="color: #444444; font-size: x-large;"></span><br />
<span><span style="font-size: x-large;"><em>Una primavera all'insegna dei fiori viola e delle rose al Museo della Grafica di Palazzo Lanfranchi, a Pisa. </em></span><br />
<span style="font-size: x-large;"><em>Per gli appassionati di pittura botanica il Museo organizza due seminari a cura di Aurora Tazza:</em> </span><br />
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<span style="font-size: x-large;"><b>"</b></span><span style="font-size: x-large;"><b>Il colore Viola, un secondario di primaria importanza", </b><em>il </em></span><span style="font-size: x-large;"><em>14 e 15 aprile 2016</em> </span><span style="font-size: x-large;">e <b>"Dall'oro al carminio, passando per l'arancio: tutti i colori dei petali di rosa",</b> <em>il 19 e 20 maggio.</em></span><br />
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<span style="font-size: x-large;"><em>Il ritratto di fiori (e frutti) viola, sarà il tema del laboratorio di aprile, con interessanti incursioni nel giallo, complementare del viola.</em></span><br />
<span style="font-size: x-large;"><em>A maggio sarà la volta, invece, delle rose nei loro colori più caldi e seducenti, iniziando dalla pittura dei petali, fino ad affrontare quella delle corolle, dalle più semplici, alle più complicate...</em></span></span><div><span style="color: #cccccc; font-size: x-large;"><i><br /></i></span>
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</div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-1338585311294527302016-03-28T12:26:00.004-07:002022-10-06T05:44:39.659-07:00Dalle Rose ai Rosoni. L'ornatissimo Manuale di Carlo Antonini architetto<span><span style="font-size: x-large;">Tavole pregevoli quelle di Carlo Antonini (1740-1821), architetto e incisore presso la Camera Apostolica, raffiguranti rosoni tratti dai monumenti più noti dell'antichità romana. Una serie di incisioni di "rose" architettoniche, raccolte nel primo volume del "<em>Manuale di Varj Ornamenti per uso e commodo de' Pittori, Scultori, Architetti...</em>" e<em> </em></span><span style="font-size: x-large;">composte secondo elaborate simmetrie radiali e cicliche o loro combinazioni. In esse domina una ricca ed elaborata natura vegetale, che l'Antonini individua in lacunari, cornici e capitelli, restituendola agli artisti suoi contemporanei:</span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">"(...)<em> usarono eziandio</em> (gli Artefici dell'Antichità)<em> la medesima diligenza, ed attenzione qualora, vollero far uso delle Piante, e de' Fiori, de' quali assai si valsero nell'adornare le loro ben intese opere di Architettura; riputando, che questi adornamenti fossero più sensibili a dilettare colla elegante varietà delle lor forme </em>(...)".</span><br />
<span style="font-size: x-large;"></span><br />
<span style="font-size: x-large;">Una natura, dunque, che si piega alle esigenze dei nuovi costruttori e decoratori del XVIII secolo, desiderosi di attingere agevolmente </span><span style="font-size: x-large;">allo straordinario patrimonio di soluzioni ornamentali offerto dai monumenti e dalle rovine della città eterna. </span><br />
<span style="font-size: x-large;">AuT</span></span><div><span style="font-size: x-large;"><br /></span>
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<span style="font-size: x-large;">MANUALE</span></div>
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<span style="font-size: large;">DI VARJ ORNAMENTI</span></div>
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<span style="font-size: large;">TRATTI</span></div>
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<span style="font-size: x-large;"><span style="font-size: large;">DALLE FABBRICHE, E FRAMMENTI</span> <span style="font-size: large;">ANTICHI</span></span></div>
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<span style="font-size: large;">PER USO, E COMMODO</span></div>
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<span style="font-size: large;">De' Pittori, Scultori, Architetti,</span></div>
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<span style="font-size: large;"><span>Scarpellini, Stuccatori, Intagliatori di pietre e legni, Argentieri, Gioiellieri, Ricamatori, Ebanisti &c.</span></span></div>
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<span style="font-size: x-large;">OPERA</span></div>
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<span style="font-size: large;">RACCOLTA, DISEGNATA, ED INCISA</span></div>
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<span style="font-size: large;">DA CARLO ANTONINI</span></div>
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<span style="font-size: large;"><em>VOLUME PRIMO</em></span></div>
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<span style="font-size: large;">Che contiene la Serie de' Rosoni Antichi</span></div>
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<span style="font-size: large;">esistenti in Roma</span></div>
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</div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-88118644645156171352016-03-07T02:24:00.005-08:002022-05-02T02:35:59.935-07:00Trame verdi <span style="color: #cccccc;"><span style="font-size: x-large;">Pergolati di rose ed alberi di agrumi coltivati a spalliera sono i protagonisti di una collezione di opere grafico-pittoriche dedicate da chi scrive ad un affascinante giardino nei pressi di Pompei. </span><br />
<span style="font-size: x-large;">Disposte lungo i percorsi che disegnano l'ampio spazio verde antistante una villa seicentesca, oggi hotel di charme, delle strutture in legno sostengono rami di varietà antiche di limoni, cedri e pompelmi alternati a rose rampicanti. Dall'inverno alla primavera inoltrata, fino all'autunno, il visitatore può ammirare fioriture e fruttificazioni in un susseguirsi di intensi stimoli sensoriali. </span><br />
<span style="font-size: x-large;"></span><span style="font-size: x-large;">AuT</span></span><div><br />
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<a href="https://1.bp.blogspot.com/-jFeDKKEYHxc/Vy38WXLkcDI/AAAAAAAAEGc/53TMRejk5so1A4dTqEHnXvfNsJZAbeP8QCLcB/s1600/1.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-jFeDKKEYHxc/Vy38WXLkcDI/AAAAAAAAEGc/53TMRejk5so1A4dTqEHnXvfNsJZAbeP8QCLcB/s640/1.jpg" width="454" /></a></div>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Aurora Tazza</span><br />
<span style="font-size: large;">acquerello su cartone, cm 58 x 38,5</span><br />
<span style="font-size: large;">Roma, 2015. Collezione privata</span></span><br />
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<a href="https://1.bp.blogspot.com/-UzZXdmnUc7w/Vy38ehqLjkI/AAAAAAAAEGg/nTm55pb_WmEmg_d-OLk4fem1iZpTOAa0gCLcB/s1600/2.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="640" src="https://1.bp.blogspot.com/-UzZXdmnUc7w/Vy38ehqLjkI/AAAAAAAAEGg/nTm55pb_WmEmg_d-OLk4fem1iZpTOAa0gCLcB/s640/2.jpg" width="324" /></a></div>
<span style="color: #cccccc;"><span style="font-size: large;">Aurora Tazza</span><br />
<span style="font-size: large;">acquerello su cartone, cm 58 x 38,5</span><br />
<span style="font-size: large;">Roma, 2015. Collezione privata</span></span><br />
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<a href="https://2.bp.blogspot.com/-AFXAMidkNnU/Vy3-jirqaUI/AAAAAAAAEHA/5cRjtY44tacl0U4gu4eCbMZa5espAzJ0wCLcB/s1600/FullSizeRender.jpg" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="610" src="https://2.bp.blogspot.com/-AFXAMidkNnU/Vy3-jirqaUI/AAAAAAAAEHA/5cRjtY44tacl0U4gu4eCbMZa5espAzJ0wCLcB/s640/FullSizeRender.jpg" width="640" /></a></div>
<span style="color: #cccccc;"><span style="font-size: large;">Aurora Tazza</span><br />
<span style="font-size: large;">acquerello su cartone, cm 58 x 38,5</span><br />
<span style="font-size: large;">Roma, 2015. Collezione privata</span></span></td></tr>
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</div>Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-74421743791670790692016-03-04T01:01:00.001-08:002022-05-02T02:35:18.237-07:00Rosa 'Florentia': Tre variazioni sul tema<span style="color: #cccccc;"><span style="font-size: x-large;">Una Rosa "di carattere" e tre diverse interpretazioni del suo stile vagamente scapigliato e anticonvenzionale.</span><br />
<span style="font-size: x-large;">Ibrido storico italiano (Julien Potin x semenzale) creato, negli anni dell'ultimo conflitto mondiale, dai fratelli Giacomasso di Torino, la Rosa 'Florentia', semidoppia arancione con sfumature gialle e carminio pallido, fu premiata con medaglia d'oro, a Roma, nel 1941.</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;"><em>Rosa</em> 'Florentia', Aurora Tazza </span><br />
<span style="font-size: large;">acquerello su carta </span><br />
<span><span style="font-size: large;">Roma, 2008 </span><span style="font-size: large;">(collezione privata)</span></span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-PFmYoVEj8y4/VtlLZPUksUI/AAAAAAAAECE/l6W78aWBfik/s1600/Flor.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="397" src="https://1.bp.blogspot.com/-PFmYoVEj8y4/VtlLZPUksUI/AAAAAAAAECE/l6W78aWBfik/s400/Flor.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;"><em>Rosa</em> 'Florentia', Aurora Tazza</span><br />
<span style="font-size: large;">studio ad acquerello e grafite su cartone (partic.) </span><br />
<span style="font-size: large;">Roma, 2015 </span><br />
<span style="font-size: large;">(dalla collezione di studi dell'autrice </span><br />
<span style="font-size: large;">dedicata alle Rose Storiche Italiane)</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://1.bp.blogspot.com/-gG-RNWM0KWQ/VtlLkuE0nYI/AAAAAAAAECI/Vx_eGw6NAj8/s1600/Flor%2B3.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="488" src="https://1.bp.blogspot.com/-gG-RNWM0KWQ/VtlLkuE0nYI/AAAAAAAAECI/Vx_eGw6NAj8/s640/Flor%2B3.jpg" width="640" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;"><em>Rosa</em> 'Florentia', Aurora Tazza</span><br />
<span style="font-size: large;">acquerello su carta </span><br />
<span style="font-size: large;">Roma, 2015 (collezione privata)</span></span></td></tr>
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-36441651308354806802016-02-24T10:33:00.004-08:002022-05-02T03:27:46.509-07:00Tócchi soavi: la mano e la Rosa<span style="color: #cccccc; font-size: x-large;">Osservando a distanza ravvicinata alcuni ritratti dipinti fra il XVI e il XIX secolo, è interessante soffermarsi su alcuni di quelli in cui appare il gesto tanto intimo, quanto carico di simbolismi, della mano recante od offerente un fiore; l'osservazione si rivela particolarmente stimolante e suggestiva tanto più si riesce ad isolare dal loro contesto questi veri e propri dialoghi, tutti al femminile, fra Rose e affusolatissime dita...</span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Antonio Moro (1517-1576)</span><br />
<span style="font-size: large;">Maria Tudor</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Anthony van Dyck (1599-1641)</span><br />
<span style="font-size: large;">Mary Villier, Lady Herbert of Shurland</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Anthony van Dyck (1599-1641)</span><br />
<span style="font-size: large;">Lady Dacre</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Bartholomeus van der Helst (1613-1670)</span><br />
<span style="font-size: large;">Abraham del Court e sua moglie, </span><br />
<span style="font-size: large;">Maria de Keerssgieter</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Bartolomeo Guidobono (1654-1709)</span><br />
<span style="font-size: large;">Allegoria della Primavera</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Giuseppe Bonito (1707-1789)</span><br />
<span style="font-size: large;">Ritratto di signora con una Rosa</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Jean-Marc Nattier (1685-1766)</span><br />
<span style="font-size: large;">Ritratto di Isabella di Parma</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Thomas Gainsborough (1727-1788)</span><br />
<span style="font-size: large;">Ritratto di Sarah, Lady Innes</span></span></td></tr>
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Thomas Lawrence (1769-1830)</span><br />
<span style="font-size: large;">Ritratto di Catherine Gray, Lady Manners</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-zHGMOGpYZDM/Vs3qs_rSYOI/AAAAAAAAD_Y/eJr7_kRPUQ8/s1600/FullSizeRender.jpg" style="margin-left: auto; margin-right: auto;"><span style="font-size: large;"><img border="0" height="400" src="https://2.bp.blogspot.com/-zHGMOGpYZDM/Vs3qs_rSYOI/AAAAAAAAD_Y/eJr7_kRPUQ8/s400/FullSizeRender.jpg" width="400" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Gyula Benczur (1844-1920)</span><br />
<span style="font-size: large;">Ragazza con Rose</span></span></td></tr>
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<tr><td style="text-align: center;"><a href="https://2.bp.blogspot.com/-ykiZEjqFqKQ/Vs3sEmzqGaI/AAAAAAAAD_k/HEhwpCyKD5g/s1600/veneziane.jpg" style="margin-left: auto; margin-right: auto;"><img border="0" height="400" src="https://2.bp.blogspot.com/-ykiZEjqFqKQ/Vs3sEmzqGaI/AAAAAAAAD_k/HEhwpCyKD5g/s400/veneziane.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">Eugene de Blaas (1843-1931)</span><br />
<span style="font-size: large;">Due donne veneziane</span><br />
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</span><div align="left"><span style="color: #cccccc;"><span style="font-size: x-large;">Ci si accorge così che questi intrecci di rami pungenti e dita eburnee, offrono la possibilità non soltanto di ammirare il talento degli artisti che li dipinsero</span><span style="font-size: x-large; text-align: center;">, ma consentono, nella loro essenzialità, di comprendere la concezione stessa della bellezza e della femminilità che mosse questi pittori e che permeò la società in cui essi vissero ed operarono.</span><br /><span style="font-size: x-large;">E' da notare che, fra i vari dipinti proposti in questa selezione, l'allegoria del ligure Guidobono, libera per sua stessa natura dall'obbligo della verosimiglianza, esprime una più marcata idealizzazione formale, diversamente da tutte le altre rappresentazioni di questa serie.</span></span></div>
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<em><span style="font-size: large;"><span style="font-size: medium;"><strong>Fonti, n</strong></span><span style="font-size: medium;"><strong>ell'ordine:</strong></span></span></em><br />
<span style="font-size: large;"><em>-Museo Nacional del Prado, Madrid</em></span><br />
<span style="font-size: large;"><em>-Timken Museum of Art, San Diego</em></span><br />
<em><span style="font-size: large;">-The Berger Collection Educational Trust, Denver Art Museum</span></em><br />
<em><span style="font-size: large;">-Boijmans-van Beuningen Museum, Rotterdam</span></em><br />
<em><span style="font-size: large;">-Fondazione Cariplo, Milano</span></em><br />
<em><span style="font-size: large;">-(Giuseppe Bonito, fonte sconosciuta)</span></em><br />
<em><span style="font-size: large;">-Kunsthistorisches Museum, Vienna</span></em><br />
<em><span style="font-size: large;">-The Frick Collection, New York</span></em><br />
<em><span style="font-size: large;">- Cleveland Museum of Art</span></em><br />
<em><span style="font-size: large;">-(Gyula Benczur, fonte sconosciuta)</span></em><br />
<em><span style="font-size: large;">-(fonte fotografica: Dorotheum)</span></em></span><br />
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0tag:blogger.com,1999:blog-2791217635659120828.post-8944205795901658862016-02-17T00:21:00.005-08:002022-05-02T03:29:14.001-07:00Artista In-Formato 2016<span style="color: #cccccc;"><span><span style="font-size: x-large;"><span><span>Una densa esposizione collettiva di opere ispirate al tema dei frutti, realizzate secondo diverse tecniche, ma tutte rigorosamente in formato cm 20 x 20, si aprirà a Roma il prossimo 20 febbraio 2016, presso il laboratorio dell'<strong><em>"Associazione Internazionale Incisori"</em></strong>. </span><span>L'iniziativa è sostenuta dall'Associazione veneziana <strong><em>"Amor del Libro"</em></strong> e dal Laboratorio di incisione, anch'esso veneziano, <strong><em>"Atelier Aperto"</em></strong> di Nicola Sene.</span></span></span></span><br />
<span style="font-size: x-large;">L'esposizione è visitabile fino al 5 marzo 2016.</span></span><br />
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<tr><td class="tr-caption" style="text-align: center;"><span style="color: #cccccc;"><span style="font-size: large;">"Agrumi medicei" </span><br />
<span style="font-size: large;">studio ad acquerello e grafite, cm 20 x 20</span><br />
<span style="font-size: large;">Aurora Tazza</span><span style="font-size: large;"> </span><br />
<span style="font-size: large;">Associazione Internazionale Incisori </span><br />
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<span style="color: #cccccc; font-size: large;"><em>Associazione Internazionale Incisori</em></span></div>
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<span style="color: #cccccc; font-size: large;"><em>Via Modena 50 (Metro Repubblica) - 00184 Roma.</em></span></div>
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<span style="color: #cccccc; font-size: large;"><em>Dal 20 febbraio al 5 marzo, dal lunedì al sabato, </em></span></div>
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<span style="color: #cccccc; font-size: large;"><em>h 16:00 - 19:30.</em></span></div>
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<span style="color: #cccccc; font-size: large;"><strong><em>Inaugurazione sabato 20 febbraio ore 18:00.</em></strong></span></div>
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<span style="color: #cccccc; font-size: large;"><em><span>Tel. 349 2696488</span> </em></span></div>
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<span style="font-size: medium;"><em style="color: #cccccc;"><span style="font-size: large;"><span>e.mail:</span> </span></em><a href="mailto:atelier50.incisori@alice.it"><em><span style="color: #e69138; font-size: large;">atelier50.incisori@alice.it</span></em></a></span><span style="color: #e69138;"> </span></div>
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Aurora Tazzahttp://www.blogger.com/profile/08551920692819142083noreply@blogger.com0